《時渋之色》聚焦於陳雲近幾年的繪畫與嗅覺創作，展出十一組繪畫及氣味作品。展名中的「渋」取自日語語彙，其意含跨越味覺、情緒與時間狀態：澀味、含蓄、沉澱——都是尚未完全顯露的潛在性質。此展覽關注的不是作品的產製程序，也非某種完成形式的結果，而是那些在時間中被靜置、被反覆觀看、甚至被擱下的軌跡——作品在這樣的過程中生成，也於其中慢慢改變自身的內涵結構。

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本次展覽運用氣味與組畫，提出作品非線性的觀看方式：部分圖像脫離了原先草圖的形態邏輯，在重新展開的時間軸中轉化出新的敘事結構；有些則保留著先前未完成的伏筆，也因珍視「過去的留存與延續」而更具張力。承接自前檔個展《走進霧散的片光裡》開始的多感官探索路徑，運用「組畫 × 氣味 × 記憶」的形式架構，透過穿梭在不同的感官作品之間，觀眾參與進入與自身記憶重疊的節奏裡，重現與其某種未被宣之於口的共感經驗。

"Shibui Spectrum" focuses on Yun Chen's recent explorations in painting and olfactory art, presenting eleven sets of paintings and scent-based works. The term "渋" (shibui) in the exhibition title is derived from the Japanese lexicon, encompassing meanings across taste, emotion, and temporal states: astringency, restraint, and sedimentation―all latent qualities not yet fully revealed. This exhibition is not concerned with the production process of the works, nor with the results of a finalized form. Instead, it highlights the traces left by time―those moments of stillness, repeated viewings, and even abandonment. It is through such processes that the works take shape and gradually transform their internal structures.

Through the use of scents and series of paintings, this exhibition proposes a non-linear approach to viewing artworks: some images break away from the formal logic of their original sketches, transforming into new narrative structures along a reimagined timeline; others retain unresolved elements from earlier stages, gaining tension through the appreciation of "preservation and continuity from the past." Building upon the multi-sensory exploration initiated in the previous solo exhibition, "Entering the dissipating fog of fragments light," this exhibition employs a framework of "series of paintings × scents × memory." By moving between different sensory works, viewers engage in a rhythm that overlaps with their own memories, recreating a certain unspoken, shared sensory experience.